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    Enjoy Lisa Scott's reviews and blogs: guest blogger for NZBM 2009 as well as past blogs from NZ writers and commentators.
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Janice Marriott has written novels for children and teenagers, short stories for adults, articles and a radio play. Her first novel, Letters to Lesley, and its sequel Brain Drain which was shortlisted for both the Aim Children's Book Award and the Esther Glen Award in 1994, are humorous depictions of family life. Crossroads won the Aim Book of the Year Award in 1997 and the New Zealand Library Association’s award, the Esther Glen Medal. Thor’s Tale about the Shackleton expedition, won the Junior Fiction Award at the NZ Post Book Awards 2006.
Her short stories have been published in More, Metro, the Australian Woman's Weekly, and North and South, as well as in anthologies. She has won writing fellowships in Auckland, Dunedin and Foxton and judged several writing competitions. She has tutored many writing programmes, and now tutors a distance learning course.
Her most recent book is co-authored, with Virginia Pawsey, Common Ground, is a series of letters about gardens, livelihoods, and life.

To read the comments on Janice’s blog, simply click on the word ‘comments’ below.

  • Book launches – a chance to wine and dine

    This weekend I went to the packed-out premier of Gareth Farr’s Terra Incognita at the spectacular NZSO Antarctica concert at the Wellington Town Hall. Three screens brought us icy imagery to accompany the music and a direct video link to Scott Base where Fred Dagg on ice, Muppet the mechanic, toasted us with a slow-poured bubbly and introduced us to the rest of the wintering-over crew. We were sitting in the front row upstairs, where the cold air that always swirls around your head, thanks to the Town Hall’s unsubtle air conditioning system, seemed an appropriate part of the atmosphere. Two craggy young guys who were sitting behind us with backpacks and ice axes – we never found out why –  didn’t raise any eyebrows among the bejewelled women and the quietly suited men.

    A premier is to a composer what a book launch is to a writer, and as this is the season for book launches, I thought I’d write about the book launches in my life this past two weeks. With food (and wine) prices on the up and up, a weekly book launch can supplement a poor writer’s diet and prevent the symptoms of cold turkey alcohol withdrawal as the GST return season, and its concomitant belt-tightening, begins.

    Next week I’ll be at the launch of March to the Sound of the Guns, at Archives New Zealand, which I imagine will be a serious and highbrow affair, with good quality wines. Last week I was at the Children’s Bookshop in Kilbirnie, where Jack Lasenby, looking younger than ever, was celebrating another of his unique tall tales, Old Drumble. A good time was had by all. John and Ruth MacIntyre always run very affable, quaffable launches.

    Last Thursday, Dymocks hosted the launch of my and Virginia Pawsey’s book, Common Ground. The launch, reflecting the book, was a convivial, amusing event where Gliding On office workers met Country Calendar farmers. Wellington wethers in woollies, prize stud bureaucrats in charcoal merino suits met North Canterbury two-tooths in twin sets and turtlenecks.
     
    You know what it’s like when office workers get a free chardonnay in their hands after work; they become impossible to muster. Virginia, dressed appropriately in gummies, Swanndri and hat, blew her mustering whistle and shouted “Get in behind!” I don’t think I’ve heard such a ringing shout since the last Evening Post paper boy’s call of “Pay-yeah-per” was silenced many years ago. Much wine was spilt on suits, but the stock was cornered, drafted and dipped – in wine, in readings and jokes.

    A good time was had by all until all the books in stock were sold and Virginia mustered everyone off to dinner at Leuven’s, the only restaurant we could find in walking distance – no gates to open – that would take such a large and noisy bunch of people, all of whom looked by then ready for the works.
  • A delicious course in 'life writing'

    I’d ‘done a workshop’ for the Taumaranui writers’ group once before, in winter. I’d enjoyed meeting them. And on this weekend at the end of summer their Friday night meeting seemed like a good excuse for a spin up Highway One in the old Toyota.

    I arrived at Bill Taylor’s, somewhere, nowhere, out of Raurimu, in time for dinner, and the now famous cream sponge – recipe in Common Ground. We stared up at hawks on the 200 feet high, 90 year old Norwegian spruce. I watched the thistledown blowing – just like Glover wrote. Tui belched at each other. Kereru thrashed in the hohiria tree.

    Then we drove on, 40 ks, to Taumarunui. Out the side window Taranaki was like a giant pyramid in a flaming red desert.

    The meeting was in ex-Taumarunui librarian Helen’s huge sitting room: comfortable sofas, flokati rugs, giant coffee tables, the clatter of platters of cheese, bottles of wine. The group’s a perfect way to relax for a couple of hours, share the joys and frustrations of writing, get other people to listen to your as-yet-unpublished words. When we walked in, Margie was asking Glenda “We want to know what happens next,” about her story that she’d circulated to them all on the Internet. Glenda said she’d like to know as well! Any suggestions! Everyone laughed.
     
    It was quite a gathering. There was Dick, an English ex- journo, now tutoring correspondence courses. Wendy, an ex-psychiatrist. Margie, South African, is a physics teacher at the high school. She also paints watercolours, has forty acres of blueberries, and writes. “Picked 3 tonnes this year.” I learnt that you have to dry blueberries out before storing them in the fridge.

    I was sorry not to see Dorothy the black Zimbabwe ex-hospital matron but she’s got a job in Hamilton closer to her Auckland family, and the job has to be better than working in a rest home in Taumarunui, someone with her qualifications. Bill told me about the time he drove to the blueberry farm and saw Dorothy walking down a row with a basket of blueberries balanced on her head.

    There was also a primary school teacher with a wicked sense of humour, a romance writer, a young Maori social worker who’s undergone a year’s debilitating drug trial to try to get rid of Hep C., a Dutchman who writes for heavy metal music magazines, a beautiful Indian woman and a new man who Helen had met in cardiac exercise group. He shared with us a reminiscence about a trip on the Auckland ferry when he was a child. His wife sat beside him while he read.

    One of the group is presently doing a Massey course in ‘life writing’. My co-authored book, Common Ground, is apparently an example of ‘life writing’, so we talked about my returning to ‘do a workshop’ in ‘life writing’.

    I bought blueberries the next day, took them home, patted each one dry and put them uncovered in the fridge, just one of my treasures from the weekend at the writers’ group.
  • A picnic in history

    I’d been reading Blind Sight by Maurice Gee because I thought it might be about the same visual deterioration that occurs in my book, Taking Off.  It wasn’t, but it was a good reason to take a trip to Somes Island for a birthday picnic. The ferry looked festive as a bowl of flowers, because of all those scores of people sprouting from the top of it, ogling the ever-changing views of Wellington. At the Somes wharf we were mustered into a whare kiore (that is what they call it) by eager DOC staff. We all had to open our day packs and feel around inside them just in case we had a rat in our bag. The Japanese tourists were mystified. I was too. Who would own up, if they found a rat? Would you be arrested?

    I pulled a pain bagna out of my bag. It could easily have been a bomb, so well wrapped was it and so carefully did I lay it down. Then I pulled out a long oven mitt, the sort with gloves on each end. I unwrapped from this bundle four sharp knives, one a large bread knife. The Japanese tourists were horrified. My Japanese wasn’t good enough to explain to them that Somes’ border security isn’t at all phased by bombs or knives, just rats.  

    We were allowed out of the whare kiore and found a perfect picnic table, where we could sit in a secluded, shaded area off the track, at the top of a cliff. Wellington draped itself before us, across that sparkling water. We draped our linen cloth, opened our sparkling wine, and I ceremonially sliced the pain bagna. We passed home-grown tomatoes around.  We finished the meal with cake and chocolate from Moore Wilson then lugged our now heavier bodies and lighter packs to the top of the island. We were impressed by the gun emplacements that used to have giant guns pointing straight out between the heads into Cook Strait, waiting to take pot shots at the Japanese – warriors not tourists. After the war the guns were sold to the Japanese who now come to see us locals engaging in strange rituals involving carrying sharp knives and possibly bombs up to where the guns used to be.

    The Japanese invasion of Somes on that sunny birthday Saturday in late March resulted in the helpful children of our group offering to take photos of the tourists smiling from the hill top over what could have been their domain. We could have been eating sushi on the picnic instead of that wonderful pain bagna.

    (If you want to know how to make a perfect pain bgna, you’ll have to  wait for Common Table, the sequel to our just published Common Ground.)







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