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    Enjoy Lisa Scott's reviews and blogs: guest blogger for NZBM 2009 as well as past blogs from NZ writers and commentators.
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Nicola McCloy is an Auckland writer and editor who wrote the very successful Whykickamoocow and Return to Whykickamoocow.

If you’d like to make a comment on Nicola’s blog, simply click on the word ‘comments’ below’.

  • May the Wilberforce be with you!

    One of my old friends texted me a couple of weeks ago to say that TVNZ had just released the old TV series of Under the Mountain on DVD. When I was a kid in Invercargill, Under the Mountain was one of my favourite books and when the TV show came out I was stoked. Even though I lived at the other end of the country and had never been to Auckland, I remember loving seeing a New Zealand story on telly. I could never have imagined then that in a few years (OK, quite a few years…) I’d be living within walking distance of what seemed like one of the most dangerous and brooding places in the country – Lake Pupuke.

    You might laugh and try to tell me that Lake Pupuke is but one of many scenic spots in Auckland that I ought to get out and enjoy. And I have to agree as the logical adult part of my brain knows that the lake is a lovely place to have a stroll, that many people safely indulge in sailing and canoeing there and, if you’re lucky, you might even catch fish there. But thanks to Maurice Gee there will always be that little part of me that knows somewhere around Lake Pupuke lurk the Wilberforces and, if I know what’s good for me, I should stay out of their way!

    I can’t think of any other book from my childhood that has had such an effect on me. I used to love Mona Anderson’s stories but have never worried unduly about flooding rivers or grumpy stock horses. My well documented dislike of porridge was, I’m fairly sure, not caused by multiple readings of Sweet Porridge as a kid. And the myriad adventures of Doctor Duffer certainly never put me off international travel – I might be much wealthier if it had! There was just something about Under the Mountain that was so real to me as a kid that it’s never gone away.

    There’s always been several copies of the book in my possession. It’s one that I lend to people when they visit Auckland. In part, so they can learn something about the volcanic zone that the city sits in. But if I’m really honest, I think I like people to read it so they get some idea of one of the greatest early influences on how I see the city I now live in. Oh, and so that they get a bit scared of the Wilberforces too and don’t make me take them to Lake Pupuke!

    A new production of Under the Mountain is taking place down by the lake and a new generation of Kiwi kids are going to be exposed to what has to be one of the best New Zealand books for children ever written. I hope that the story has the same effect on them as it did on me all those years ago.

    And as for the unwrapped DVD sitting next to my television? I’m waiting for my friend to come up from Invercargill before I watch it – after all, I don’t want to get caught on my own by the Wilberforces!
  • Mod Cons

    Over the last couple of months I’ve been doing a bit of travelling – some for work and some for fun. The range of beds I’ve stayed in has varied from a super comfy bed in a flash hotel to a mattress on the floor of my mate’s lounge.

    Like most people, when I travel I cart a book or three around with me. I can’t sleep unless I’ve read for a while first, which when I’m staying in a hotel is fine as they usually have well placed, easily accessible bedside lamps. But when I’m sleeping in someone’s living room or spare room where there’s no bedside lamp I go through that terrible dilemma of whether to just turn out the light and try and go to sleep, or whether I’ll read for a bit and then climb out of my warm bed to turn the light off before tripping over a train set/footstool/gumboot on my way back to bed in the dark thus waking the entire house.

    Up until now I’ve solved the problem by reading by torchlight. It’s bad for my eyes, I know, but needs must. Lately though I’ve been reading a fantastic account of the history of Africa since independence by Martin Meredith called The State of Africa. The book itself is well written, informative and not nearly as confusing as I thought it might be. There’s just one problem with it. Because it’s a beefy wee book weighing in at about 750 pages, in my sleepy state I struggle to co-ordinate the torch and the book in any meaningful way. I’ve spent ages trying to perfect my technique but keep giving up in despair. (I know, I should be worried about more important things like global warming and why the Warriors struggle to win away from home but it really has been driving me nuts.) That is until one of my friends introduced me to the wonder that is an Energizer book light. So good was her sales pitch that we headed straight for Dick Smith in Wanganui and bought their entire stock. (Okay, they only had three but it sounds impressive!)

    Initially, I had my doubts about how something that would look at home in the Innovations catalogue could solve my reading dilemma but I thought I’d give it a shot and it worked like a charm. You clip it to your book, turn on the LED light and adjust the flex so that the light shines perfectly on your page. Problem solved! Maybe everyone out there in Bookland already knows about these things and I’m just a late adopter but I reckon it’s the best fifteen bucks I’ve spent in ages.
  • Making sense of writing

    My friends and family will vouch for the fact that when I’m in the middle of writing a book I go a little bit, well, mad. I get so absorbed in whatever it is that I’m writing that I find it almost impossible to think about anything else.

    When I was working on my Whykickamoocow books about Kiwi place names, people avoided talking to me about anything even vaguely geographic so they didn’t send me off in a spin trying to find out the origin of the name of a hill/street/suburb/town…

    A similar thing happened while working on my new book, Made in New Zealand, which tells the tales behind some of this country’s favourite brands. I’ve never been much of a fan of the supermarket but while working on this book a trip to buy toothpaste could cause total overload! Or I’d be watching telly and the ads would come on. I’d sit there spouting random facts about whatever product was being spruiked at the time, regardless of the fact that whoever I was watching tv with probably wasn’t interested in the ad, let alone a potted history of the products’ makers!

    I tend to gather all my research and percolate it for a while before I start writing. It’s when the writing starts that reality and I start to part ways. This total absorption in whatever I’m writing about has led me to refuse to answer the phone for days on end, answer the door only to quickly close it on my unsuspecting visitors then scuttle back to my desk and to leave the house only when absolutely necessary – usually when I’d run out of toothpaste! (I’m eternally grateful to be surrounded by patient and tolerant people while being a bit scared of what might happen if I ever decide to write a novel!)

    I’ve never been able to explain to people why I do what I do – I’d just say that I feel a bit lost when I’m not working on a book project. Then I came across this quote from Nadeem Aslam, who spent 11 years writing Maps for Lost Lovers. I think it beautifully sums up why a lot of writers do what they do: “People say that they like it and it's good. My writing is so much a part of who I am that it’s like being praised for having a hand or for having blood. Does that make sense?”

    Yep, Nadeem, amidst all the bafflement that writing causes me sometimes, that makes perfect sense!







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